MLA was used exclusively on the Tour, as it has been since 2012.
It remains the only system on the market to allow multiple sonic goals to be prioritised and optimised accordingly. For example, not only can MLA generate an even sound field over the audience, it can contain it as well — significantly reducing the influence of the room.
Hard Avoid® areas ─ such as behind and below the array, ceilings and balcony edges - can also be programmed in. Vertical coverage can even be fine-tuned electronically in-situ to cope with last-minute changes in rigging height, without having to re-rig.
With incredibly easy-to-use and highly accurate predictive software [DISPLAY] doing all the grunt work with the system, the FOH engineer retains full artistic control and can enjoy mixing the show in the full knowledge that the sound created at the mix position will be heard everywhere throughout the audience.
Such is the confidence that MLA can bring, that significantly less time is spent setting up the system and even less time is spent walking the room.
MLA’s ultimate accolade is its audio perfection. Pristine fidelity, vocal clarity, sonic impact and huge output capability brings the FOH engineer and the audience together in a powerful, involving experience.
